actionpoetryperformance

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	<title>actionpoetryperformance</title>
	<link>https://nathan-walker.co.uk</link>
	<description>actionpoetryperformance</description>
	<pubDate>Tue, 17 Oct 2023 13:08:10 +0000</pubDate>
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		<title>performances</title>
				
		<link>https://nathan-walker.co.uk/performances</link>

		<pubDate>Tue, 17 Oct 2023 13:07:25 +0000</pubDate>

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		<description>
	Nathan Walker
	Action Poetry Performance


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Queer is the Opposite of Police01.05.2026
	20min performance
	Presented at Future Ritual: DISCHARGE, hosted by IKLECTIK. Photo by Henri T.

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&#38;nbsp;Stonehand23.04.2026
	3 hour performance
	Presented at Poesia Performance IV, University of Porto.&#38;nbsp; Images ILCML/U.Porto.


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Queer is the Opposite of Police 30.01.2026
	20min performance
	Presented as part of 

Weightless ghosts / Accidental spectators

at Humber Street Gallery, Hull. Curated by Alex Stubbs. All photographs by Amy D’Agorne


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	Queer is the Opposite of Police 
17.06.2025
	1 hour performance
	Presented as part of 1984/85 A Symposium of Art &#38;amp; Politics, at York St John University, York. All photographs by Amy D’Agorne


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Twenty Truant Shapes
07.09.2024
	12 hour performance
	 Gloam Gallery, Sheffield 
Curated for Gloam Shorts by Victoria Sharples. All photographs by Victoria Sharples


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Sweal&#38;nbsp;
23.03.2024 
	5 hour performance
	 Queercall Festival, Folkestone, Kent, UK All photographs by Manuel Vason, except final photograph by Tiff Cryer


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	Low (Grey Door) 24.03.2022&#38;nbsp;
	4 hour performance
	 Belfast International Festival of Performance Art (BiFPA)
	
	
Video Stills, video by Zara Lyness


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	Room II 08.03.2022
	Installation with performances
	Vessel Gallery, York UK
Photographs by Dee Aitch


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	Room III 15.03.2022&#38;nbsp;
	Installation with performance (2 hours) 
	Vessel Gallery, York UK
Photographs by Kelly Pickering


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	Soft 17.09.2021&#38;nbsp;
	3 hour performance
	INTERVAL 11, Essen, Germany
Photographs by Marita Bullmann


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	Faults 17.06.2019&#38;nbsp;
	3 hour performance&#38;nbsp;
	Presented as part of Convocation: On Expanded-Language Practices at the Research Pavilion of the 53rd Venice Biennale, Venice, Italy. Curated and hosted by Emma Cocker, Cordula Daus and Lena Séraphin in cooperation with Alex Arteaga


Photographs by Mike Elo


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	Low (White Stones) 01.12.2018&#38;nbsp;
	3 hour performance
	Presented at State of Move Festival, Helsinki, Finland. Curated by Tomasz Szrama, John Court, Eleni Tsitsirikou, &#38;amp; Henrik Lindqvist 
Photographs by Antti Ahonen


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&#60;img width="1080" height="864" width_o="1080" height_o="864" data-src="https://freight.cargo.site/t/original/i/204dbb2cf3c636dfb1cd418fa641e9034225ae3f87d9c195d80061b68c6672c3/action1b_uniform-copy3.jpg" data-mid="193956339" border="0"  src="https://freight.cargo.site/w/1000/i/204dbb2cf3c636dfb1cd418fa641e9034225ae3f87d9c195d80061b68c6672c3/action1b_uniform-copy3.jpg" /&#62;
&#60;img width="1080" height="864" width_o="1080" height_o="864" data-src="https://freight.cargo.site/t/original/i/8f7e16f74363dc72728ed6b34b6ae21188db08db815b9c7408e771db31758701/action1b_uniform-copy4.jpg" data-mid="193956338" border="0"  src="https://freight.cargo.site/w/1000/i/8f7e16f74363dc72728ed6b34b6ae21188db08db815b9c7408e771db31758701/action1b_uniform-copy4.jpg" /&#62;


	Ambl18-23.06.2016&#38;nbsp;
	Performance for Camera
	Made on location in Ambleside, Cumbria (and surrounding areas) as part of an artist residency at The Armitt Museum and Library - more information on this project can be found on the&#38;nbsp;Condensations page


&#60;img width="602" height="440" width_o="602" height_o="440" data-src="https://freight.cargo.site/t/original/i/2f0540536049883708147586ddcd633de578fd48d8b4846598d9afd013b35ada/nathanwalker_scaw_2.jpg" data-mid="193956246" border="0"  src="https://freight.cargo.site/w/602/i/2f0540536049883708147586ddcd633de578fd48d8b4846598d9afd013b35ada/nathanwalker_scaw_2.jpg" /&#62;
&#60;img width="602" height="440" width_o="602" height_o="440" data-src="https://freight.cargo.site/t/original/i/a9b05b5a78fbc1b26263fc6faceecd3f30dfd8604e8e6cc594370efdd0a06630/nathanwalker_scaw_5.jpg" data-mid="193956248" border="0"  src="https://freight.cargo.site/w/602/i/a9b05b5a78fbc1b26263fc6faceecd3f30dfd8604e8e6cc594370efdd0a06630/nathanwalker_scaw_5.jpg" /&#62;
&#60;img width="602" height="440" width_o="602" height_o="440" data-src="https://freight.cargo.site/t/original/i/6154cece5a6ceba1f0bbd5fccc72b982571f2f8579919ee83fb6e45e7e7755d1/nathanwalker_scaw_6.jpg" data-mid="193956249" border="0"  src="https://freight.cargo.site/w/602/i/6154cece5a6ceba1f0bbd5fccc72b982571f2f8579919ee83fb6e45e7e7755d1/nathanwalker_scaw_6.jpg" /&#62;
&#60;img width="602" height="440" width_o="602" height_o="440" data-src="https://freight.cargo.site/t/original/i/7c6f3ccc4b0f8e1884e3bc77e2ab39e902001e84ba1043c1ca55108650bfa6f2/nathanwalker_scaw_7.jpg" data-mid="193956250" border="0"  src="https://freight.cargo.site/w/602/i/7c6f3ccc4b0f8e1884e3bc77e2ab39e902001e84ba1043c1ca55108650bfa6f2/nathanwalker_scaw_7.jpg" /&#62;
&#60;img width="602" height="440" width_o="602" height_o="440" data-src="https://freight.cargo.site/t/original/i/35f862aaa9de0ba106ed83692bb591051660913402c3d3480bf11ecee4161a5c/nathanwalker_scaw_18.jpg" data-mid="193956260" border="0"  src="https://freight.cargo.site/w/602/i/35f862aaa9de0ba106ed83692bb591051660913402c3d3480bf11ecee4161a5c/nathanwalker_scaw_18.jpg" /&#62;
&#60;img width="602" height="440" width_o="602" height_o="440" data-src="https://freight.cargo.site/t/original/i/7540fb3cbfd8dc1b971af43d0d4491b21fbe5f6d6f0cbf39d4aa4cafb1fc52e7/nathanwalker_scaw_9.jpg" data-mid="193956252" border="0"  src="https://freight.cargo.site/w/602/i/7540fb3cbfd8dc1b971af43d0d4491b21fbe5f6d6f0cbf39d4aa4cafb1fc52e7/nathanwalker_scaw_9.jpg" /&#62;


	Scaw 07.11.2014&#38;nbsp;
	8 hour performance 
	Presented as part of Experimentica14 at Chapter Arts Center, Cardiff, Wales 
Photographs by Warren Orchard


&#60;img width="1649" height="2473" width_o="1649" height_o="2473" data-src="https://freight.cargo.site/t/original/i/3f2220072654bcfc104be0f987d31b0fd8914d32413d817e1f3b094c191587c2/nwalker_nape_6.jpg" data-mid="193956265" border="0"  src="https://freight.cargo.site/w/1000/i/3f2220072654bcfc104be0f987d31b0fd8914d32413d817e1f3b094c191587c2/nwalker_nape_6.jpg" /&#62;
&#60;img width="1158" height="2058" width_o="1158" height_o="2058" data-src="https://freight.cargo.site/t/original/i/b94606e6cbbaae37dadeb33413f3a9145fe39051282fb6947d7bda7fcb8018b2/nwalker_nape_2.jpg" data-mid="193956309" border="0"  src="https://freight.cargo.site/w/1000/i/b94606e6cbbaae37dadeb33413f3a9145fe39051282fb6947d7bda7fcb8018b2/nwalker_nape_2.jpg" /&#62;
&#60;img width="2330" height="2912" width_o="2330" height_o="2912" data-src="https://freight.cargo.site/t/original/i/ae6c245edbe4caa5ebe8c58c36750ab002185632dac806d1a4a2b89449aa1100/nwalker_nape_1.jpg" data-mid="193956262" border="0"  src="https://freight.cargo.site/w/1000/i/ae6c245edbe4caa5ebe8c58c36750ab002185632dac806d1a4a2b89449aa1100/nwalker_nape_1.jpg" /&#62;
&#60;img width="2693" height="4039" width_o="2693" height_o="4039" data-src="https://freight.cargo.site/t/original/i/6fc74ff8bfc2cce98211ccdd96a29b7d617243def1c1358681345da01c1e32b4/nwalker_nape_9.jpg" data-mid="193956267" border="0"  src="https://freight.cargo.site/w/1000/i/6fc74ff8bfc2cce98211ccdd96a29b7d617243def1c1358681345da01c1e32b4/nwalker_nape_9.jpg" /&#62;

&#60;img width="3019" height="2415" width_o="3019" height_o="2415" data-src="https://freight.cargo.site/t/original/i/aca8367daab1da49191e4f2b0fcf16817d7f2ab81257a61f5dd60f6de83b4add/nwalker_nape_4.jpg" data-mid="193956264" border="0"  src="https://freight.cargo.site/w/1000/i/aca8367daab1da49191e4f2b0fcf16817d7f2ab81257a61f5dd60f6de83b4add/nwalker_nape_4.jpg" /&#62;
&#60;img width="3207" height="2566" width_o="3207" height_o="2566" data-src="https://freight.cargo.site/t/original/i/1ffbe4cf1a8c462a23214840a2f4c0873ed20c25bff203bf6762adf2f94a797c/nwalker_nape_8.jpg" data-mid="193956266" border="0"  src="https://freight.cargo.site/w/1000/i/1ffbe4cf1a8c462a23214840a2f4c0873ed20c25bff203bf6762adf2f94a797c/nwalker_nape_8.jpg" /&#62;


	Nape 12.10.2013&#38;nbsp;
	6 hour performance
	Presented as part of In Conversation, a digital residency and final sharing performance commissioned by Performance Space, London 
Watch Video Excerpt 
Photographs by Marco Berardi


&#60;img width="1080" height="807" width_o="1080" height_o="807" data-src="https://freight.cargo.site/t/original/i/2c9a429f567c021543dce83cc1a1dd072d39a420d4a4e3dec347871bd39ab04c/NW042433.JPG" data-mid="193956276" border="0"  src="https://freight.cargo.site/w/1000/i/2c9a429f567c021543dce83cc1a1dd072d39a420d4a4e3dec347871bd39ab04c/NW042433.JPG" /&#62;
&#60;img width="800" height="598" width_o="800" height_o="598" data-src="https://freight.cargo.site/t/original/i/e7874923d3925a646ca9e3a2e6d0d5b052e6983ea770c18095b6f969c467bbbf/NW042435.JPG" data-mid="193956277" border="0"  src="https://freight.cargo.site/w/800/i/e7874923d3925a646ca9e3a2e6d0d5b052e6983ea770c18095b6f969c467bbbf/NW042435.JPG" /&#62;


	Mean I06.07.2014
&#38;nbsp;
	30min performance
	Presented at Shady Dealings with Language at X Marks the Bökship / Matts Gallery, London.
Curated by Roy Claire Potter:&#38;nbsp;Unsettled By and Open To gestures toward research led arts practice and celebrates the emergent, unexpected and the unruly by inviting presentations from artist writers: Emma Bolland, Neil Chapman, Linda Stupart and Nathan Walker
Photographs by Benjamin Sebastian


&#60;img width="1620" height="1081" width_o="1620" height_o="1081" data-src="https://freight.cargo.site/t/original/i/1fda25b44db25e2d8ca5ad3dc60786af99223b597359a0acea6c9874bf2928ef/meaniii_new2.jpg" data-mid="193956281" border="0"  src="https://freight.cargo.site/w/1000/i/1fda25b44db25e2d8ca5ad3dc60786af99223b597359a0acea6c9874bf2928ef/meaniii_new2.jpg" /&#62;
&#60;img width="3648" height="2432" width_o="3648" height_o="2432" data-src="https://freight.cargo.site/t/original/i/e42c74c1d4eeb9f075095360981a3c0a8c206fa66606c9fe8fc22e86977f8660/IMG_9805.JPG" data-mid="193956312" border="0"  src="https://freight.cargo.site/w/1000/i/e42c74c1d4eeb9f075095360981a3c0a8c206fa66606c9fe8fc22e86977f8660/IMG_9805.JPG" /&#62;
&#60;img width="1081" height="1620" width_o="1081" height_o="1620" data-src="https://freight.cargo.site/t/original/i/6b1e73a5afa7376cc35fbfc44a8f56864127021609479f9a4e47b59f36335717/meaniii_new.jpg" data-mid="193956280" border="0"  src="https://freight.cargo.site/w/1000/i/6b1e73a5afa7376cc35fbfc44a8f56864127021609479f9a4e47b59f36335717/meaniii_new.jpg" /&#62;


	Mean III20.03.2015
&#38;nbsp;
	30min performance
	Presented at Drafting, at Baltic 39, Newcastle Upon Tyne.
Photographs by Denys Blacker, video here


&#60;img width="640" height="427" width_o="640" height_o="427" data-src="https://freight.cargo.site/t/original/i/36950a2eadcc0bb75c599a52b4ac9b5bf300013cc5d468be7e3a660f29449449/IMG_1221.jpeg" data-mid="193956269" border="0"  src="https://freight.cargo.site/w/640/i/36950a2eadcc0bb75c599a52b4ac9b5bf300013cc5d468be7e3a660f29449449/IMG_1221.jpeg" /&#62;
&#60;img width="640" height="427" width_o="640" height_o="427" data-src="https://freight.cargo.site/t/original/i/4bd2e556ef8bc2ea4df07291fd10b3224bcd70445eae6f417137ee7c4beea529/IMG_1237.jpeg" data-mid="193956270" border="0"  src="https://freight.cargo.site/w/640/i/4bd2e556ef8bc2ea4df07291fd10b3224bcd70445eae6f417137ee7c4beea529/IMG_1237.jpeg" /&#62;

 
	Mean IV06.05.2017


	30min performance
	Presented at Flare, Gallery North, Newcastle Upon Tyne
Photographs by Denys Blacker


&#60;img width="871" height="580" width_o="871" height_o="580" data-src="https://freight.cargo.site/t/original/i/ba207cbc4de94e4f77bb724ff32945b213397e6838d020a1efb9a9514959c50d/DSC_5777.jpg" data-mid="193956361" border="0"  src="https://freight.cargo.site/w/871/i/ba207cbc4de94e4f77bb724ff32945b213397e6838d020a1efb9a9514959c50d/DSC_5777.jpg" /&#62;
&#60;img width="871" height="580" width_o="871" height_o="580" data-src="https://freight.cargo.site/t/original/i/4ecede96d7a5de8a102ff5fa986b29fe7f0dded1a92534e9d1afa852d887f688/DSC_5768.jpg" data-mid="193956362" border="0"  src="https://freight.cargo.site/w/871/i/4ecede96d7a5de8a102ff5fa986b29fe7f0dded1a92534e9d1afa852d887f688/DSC_5768.jpg" /&#62;


	53 Sounds 05.05.2013&#38;nbsp;
	45min performance
	collaboration with Victoria Gray, Presented at Duo Days, at Catalyst Arts, Belfast
Photographs by Jordan Hutchinson


&#60;img width="600" height="440" width_o="600" height_o="440" data-src="https://freight.cargo.site/t/original/i/33f18f77da9573cc9508c00b9dd2516fcea2dbf442634297a959c5c7bb62519b/nwalker_fathas6.jpg" data-mid="193956272" border="0"  src="https://freight.cargo.site/w/600/i/33f18f77da9573cc9508c00b9dd2516fcea2dbf442634297a959c5c7bb62519b/nwalker_fathas6.jpg" /&#62;


	Bray06.11.2012
&#38;nbsp;
	30min performance
	Presented at PAErsche at Künstlerforum, Bonn, Germany 
Photographs by Thomas Reul


&#60;img width="718" height="1080" width_o="718" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4cefa40cd6199db0f7f8624e8e498561348537f1182dd38d1b75f67de6a0018d/town_new_1.jpg" data-mid="193956300" border="0"  src="https://freight.cargo.site/w/718/i/4cefa40cd6199db0f7f8624e8e498561348537f1182dd38d1b75f67de6a0018d/town_new_1.jpg" /&#62;
&#60;img width="717" height="1079" width_o="717" height_o="1079" data-src="https://freight.cargo.site/t/original/i/18a5a70d20e7ba2113573e04595f72a7ce0ed899f3f5bea9e05a63a697fed8a0/town_new_2.jpg" data-mid="193956301" border="0"  src="https://freight.cargo.site/w/717/i/18a5a70d20e7ba2113573e04595f72a7ce0ed899f3f5bea9e05a63a697fed8a0/town_new_2.jpg" /&#62;


	Town31.10.2011&#38;nbsp;
	30min performance
	Presented at XTC, Studio 1.1, London
Photographs by Victoria GrayXTC A free night of experimental performance. Artists: Oreet Ashery (Israel/UK) Benjamin Faga (USA) Jenny Hyde (USA) Poppy Jackson (UK) Ane Lan (Norway) Nathalie Mba Bikoro (Gabon/France) Nathan Walker (UK) Kai-Oi Jay Yung (China/UK) Curated by Kisito Assangni.&#38;nbsp;


&#60;img width="900" height="598" width_o="900" height_o="598" data-src="https://freight.cargo.site/t/original/i/d6e5a5ae4098ff4e10ea5fa9847b9d4ffb7af2d6e94bc7c88b6582e38463fbba/IMGP2913n.jpg" data-mid="193956308" border="0"  src="https://freight.cargo.site/w/900/i/d6e5a5ae4098ff4e10ea5fa9847b9d4ffb7af2d6e94bc7c88b6582e38463fbba/IMGP2913n.jpg" /&#62;
&#60;img width="900" height="598" width_o="900" height_o="598" data-src="https://freight.cargo.site/t/original/i/93f8f8b4559e8f9cd1f3adf9bc48ec6e34b35ba0d3cff97de7fc7c9bcb2d446b/IMGP2845e.jpg" data-mid="193956303" border="0"  src="https://freight.cargo.site/w/900/i/93f8f8b4559e8f9cd1f3adf9bc48ec6e34b35ba0d3cff97de7fc7c9bcb2d446b/IMGP2845e.jpg" /&#62;
&#60;img width="900" height="598" width_o="900" height_o="598" data-src="https://freight.cargo.site/t/original/i/28c7c570b8d339f91822546266e04841c6639f8262cf99d741cf6326188de0d9/IMGP2912m.jpg" data-mid="193956307" border="0"  src="https://freight.cargo.site/w/900/i/28c7c570b8d339f91822546266e04841c6639f8262cf99d741cf6326188de0d9/IMGP2912m.jpg" /&#62;
&#60;img width="900" height="598" width_o="900" height_o="598" data-src="https://freight.cargo.site/t/original/i/c414d506e75d06ca2f18c47f700147af8c30a921a71430ca9fac584b081554b3/IMGP2903e.jpg" data-mid="193956304" border="0"  src="https://freight.cargo.site/w/900/i/c414d506e75d06ca2f18c47f700147af8c30a921a71430ca9fac584b081554b3/IMGP2903e.jpg" /&#62;


	Now(t)
16.09.2011
	30min performance
	Presented at Grace Exhibition Space, New York
Photographs by Victoria Gray

&#60;img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/49c05316492d0581276c6ea3a0a0e70f16c824452edfc46e443bdaa6d43fa6fb/IMG_1704web.jpg" data-mid="193956283" border="0"  src="https://freight.cargo.site/w/900/i/49c05316492d0581276c6ea3a0a0e70f16c824452edfc46e443bdaa6d43fa6fb/IMG_1704web.jpg" /&#62;
&#60;img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/6078cb4fcc657ccdbace237b7f5e121202464277301c509f07a12891a6998fb0/IMG_1717web.jpg" data-mid="193956284" border="0"  src="https://freight.cargo.site/w/900/i/6078cb4fcc657ccdbace237b7f5e121202464277301c509f07a12891a6998fb0/IMG_1717web.jpg" /&#62;
&#60;img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/721df9985839a6bcf6f3eda1f595f221401bcac466a5744f3326205b695eb58c/IMG_1745web.jpg" data-mid="193956285" border="0"  src="https://freight.cargo.site/w/900/i/721df9985839a6bcf6f3eda1f595f221401bcac466a5744f3326205b695eb58c/IMG_1745web.jpg" /&#62;
&#60;img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/942af895ffb82db3555a59100eee7ab3a68295c2c26166dcc04425b04d3792cd/IMG_1772web.jpg" data-mid="193956286" border="0"  src="https://freight.cargo.site/w/900/i/942af895ffb82db3555a59100eee7ab3a68295c2c26166dcc04425b04d3792cd/IMG_1772web.jpg" /&#62;
Spirit09.10.2010&#38;nbsp;
	30min performance
	Presented at Oui Performance Event #0, YorkPhotographs by Christopher Mollon


&#60;img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/9884e46dd48383a872929c663681127b19d7e8e5c995c7f492f5b8658166569d/stagweb1.jpg" data-mid="201795913" border="0"  src="https://freight.cargo.site/w/900/i/9884e46dd48383a872929c663681127b19d7e8e5c995c7f492f5b8658166569d/stagweb1.jpg" /&#62;
&#60;img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/89f649356cf6113695432e161de92df731944108094cdb74d78d13863b24ebc0/theclashweb.jpg" data-mid="201795914" border="0"  src="https://freight.cargo.site/w/900/i/89f649356cf6113695432e161de92df731944108094cdb74d78d13863b24ebc0/theclashweb.jpg" /&#62;
TATM
04.02.2011


	30min performance
	Presented at Performance Space, LondonPhotographs by Victoria Gray, video here


&#60;img width="1623" height="1081" width_o="1623" height_o="1081" data-src="https://freight.cargo.site/t/original/i/73ab5f4858fd0125e8faf6f1878ffb5a3715cdddcd6a2c06177fe175a1d1cdf6/vw_nw_new_2.jpg" data-mid="193956298" border="0"  src="https://freight.cargo.site/w/1000/i/73ab5f4858fd0125e8faf6f1878ffb5a3715cdddcd6a2c06177fe175a1d1cdf6/vw_nw_new_2.jpg" /&#62;
&#60;img width="1623" height="1081" width_o="1623" height_o="1081" data-src="https://freight.cargo.site/t/original/i/c1fae56ba46542542c0d897be42c78ede407daeb358d59a78bf7931ac0dd6751/vw_nw_new_1.jpg" data-mid="193956299" border="0"  src="https://freight.cargo.site/w/1000/i/c1fae56ba46542542c0d897be42c78ede407daeb358d59a78bf7931ac0dd6751/vw_nw_new_1.jpg" /&#62;


	Virginia Woolf 14.11.2010&#38;nbsp;
	30min performance
	Presented at In the Flesh festival, Plymouth Arts Center
Photographs by Bean


&#60;img width="640" height="428" width_o="640" height_o="428" data-src="https://freight.cargo.site/t/original/i/c9c8911255e2b6b7fe162925153cc25018d3cbbc34ac88854211acfbffe3e090/p1000259.jpg" data-mid="201796528" border="0"  src="https://freight.cargo.site/w/640/i/c9c8911255e2b6b7fe162925153cc25018d3cbbc34ac88854211acfbffe3e090/p1000259.jpg" /&#62;
&#60;img width="900" height="600" width_o="900" height_o="600" data-src="https://freight.cargo.site/t/original/i/3d4fce46ea255002d9dc3c86d5c9b43d5b0b5b8901e9adf3017c689bf5f6c098/2.jpg" data-mid="193956288" border="0"  src="https://freight.cargo.site/w/900/i/3d4fce46ea255002d9dc3c86d5c9b43d5b0b5b8901e9adf3017c689bf5f6c098/2.jpg" /&#62;


	Nowt 26.03.2010&#38;nbsp;
	30min performance
	Launch of RITE (publication), PSL Project Space Leeds
 Photographs by Simon Zimmerman


&#60;img width="1291" height="864" width_o="1291" height_o="864" data-src="https://freight.cargo.site/t/original/i/9fcee567d909f03c7684247408f30c8752d5c3fbd5b0c01334a6be7a41d3e2d8/hard_nwalker15.jpg" data-mid="193956297" border="0"  src="https://freight.cargo.site/w/1000/i/9fcee567d909f03c7684247408f30c8752d5c3fbd5b0c01334a6be7a41d3e2d8/hard_nwalker15.jpg" /&#62;
&#60;img width="1291" height="864" width_o="1291" height_o="864" data-src="https://freight.cargo.site/t/original/i/293497269aafe02411bf6ae81a2322314b354e3cf44069b53b4e557f949389f5/hard_nwalker3.jpg" data-mid="193956295" border="0"  src="https://freight.cargo.site/w/1000/i/293497269aafe02411bf6ae81a2322314b354e3cf44069b53b4e557f949389f5/hard_nwalker3.jpg" /&#62;
&#60;img width="1291" height="864" width_o="1291" height_o="864" data-src="https://freight.cargo.site/t/original/i/01b19118f7a46bd841664836515d47d6e35b8567a573d485c32dc87bb00da0c0/hard_nwalker2.jpg" data-mid="193956294" border="0"  src="https://freight.cargo.site/w/1000/i/01b19118f7a46bd841664836515d47d6e35b8567a573d485c32dc87bb00da0c0/hard_nwalker2.jpg" /&#62;
&#60;img width="1291" height="864" width_o="1291" height_o="864" data-src="https://freight.cargo.site/t/original/i/ffc1eb9b73d8cd15c156c4c99763acc7c2293f1f8b44121fed3770d68704e019/hard_nwalker13.jpg" data-mid="193956296" border="0"  src="https://freight.cargo.site/w/1000/i/ffc1eb9b73d8cd15c156c4c99763acc7c2293f1f8b44121fed3770d68704e019/hard_nwalker13.jpg" /&#62;


	Hard Poor &#38;amp; Dead 05.12.2009&#38;nbsp;
	1 hour performance
	Presented at Red Ape, at Plymouth Arts Center curated by Mark Greenwood 
Photographs by Mark Greenwood


&#60;img width="737" height="415" width_o="737" height_o="415" data-src="https://freight.cargo.site/t/original/i/b6b664a2c11cd89c04c9957df22b7c37865ac38145c31de12be3a0b68a790a92/Bild11.jpg" data-mid="193956290" border="0"  src="https://freight.cargo.site/w/737/i/b6b664a2c11cd89c04c9957df22b7c37865ac38145c31de12be3a0b68a790a92/Bild11.jpg" /&#62;
&#60;img width="737" height="413" width_o="737" height_o="413" data-src="https://freight.cargo.site/t/original/i/c62bdd7f4f23fe319eb2dccdc5d8d3a8058e43f1d4411cc1c76085962eef7a34/Bild10.jpg" data-mid="201796662" border="0"  src="https://freight.cargo.site/w/737/i/c62bdd7f4f23fe319eb2dccdc5d8d3a8058e43f1d4411cc1c76085962eef7a34/Bild10.jpg" /&#62;
&#60;img width="737" height="413" width_o="737" height_o="413" data-src="https://freight.cargo.site/t/original/i/5b26bf60ea2b4234b72949bd5813c4f29abd0049d7990d6f069de75009cb3e13/Bild5-copy.jpg" data-mid="201796726" border="0"  src="https://freight.cargo.site/w/737/i/5b26bf60ea2b4234b72949bd5813c4f29abd0049d7990d6f069de75009cb3e13/Bild5-copy.jpg" /&#62;
&#60;img width="737" height="414" width_o="737" height_o="414" data-src="https://freight.cargo.site/t/original/i/3c0bf35d6c0805507c3b52bdf2fb597b8de11ef76f721d59fd72d2703921d98d/Bild9.jpg" data-mid="193956289" border="0"  src="https://freight.cargo.site/w/737/i/3c0bf35d6c0805507c3b52bdf2fb597b8de11ef76f721d59fd72d2703921d98d/Bild9.jpg" /&#62;


	Paprika 14.03.2009
	30min performance
	Presented at Eulengasse Gallery, Frankfurt, Germany. Curated by Sofia Greff.&#38;nbsp;Photographs by Sofia Greff

 
&#60;img width="2267" height="2267" width_o="2267" height_o="2267" data-src="https://freight.cargo.site/t/original/i/5713f3a76accc30e4db2e842c69ebe6ada1f01b4aab65cfb543d2163da7bac70/FLAG-1.jpg" data-mid="193956363" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/5713f3a76accc30e4db2e842c69ebe6ada1f01b4aab65cfb543d2163da7bac70/FLAG-1.jpg" /&#62;

	Flag 25.09.2008
	10 min performance
	Presented at MA Show, Dartington College of Arts


</description>
		
	</item>
		
		
	<item>
		<title>poetry</title>
				
		<link>https://nathan-walker.co.uk/poetry</link>

		<pubDate>Tue, 17 Oct 2023 13:07:43 +0000</pubDate>

		<dc:creator>actionpoetryperformance</dc:creator>

		<guid isPermaLink="true">https://nathan-walker.co.uk/poetry</guid>

		<description>


	Nathan Walker
	Action Poetry&#38;nbsp;


&#60;img width="1728" height="1080" width_o="1728" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5b7369055fcaf80ac4b43f01a98d4d3d471b074bd30f951fb5e65973b0a93bb8/skirting_cover.jpg" data-mid="205121601" border="0"  src="https://freight.cargo.site/w/1000/i/5b7369055fcaf80ac4b43f01a98d4d3d471b074bd30f951fb5e65973b0a93bb8/skirting_cover.jpg" /&#62;
	Skirting
	2024
	Published by Broken Sleep Books, order here


&#60;img width="2125" height="1417" width_o="2125" height_o="1417" data-src="https://freight.cargo.site/t/original/i/033e049bcdef08931db4c69e61e7ccecaacb47a0205c09b8a03c35b5ee938d7e/Nathan-Walker-prototype-accepted.jpg" data-mid="193956570" border="0"  src="https://freight.cargo.site/w/1000/i/033e049bcdef08931db4c69e61e7ccecaacb47a0205c09b8a03c35b5ee938d7e/Nathan-Walker-prototype-accepted.jpg" /&#62;
&#60;img width="2125" height="1417" width_o="2125" height_o="1417" data-src="https://freight.cargo.site/t/original/i/5cfd52ff782858eca7dc7566003481b4cc3e1e6e1bc7a81152bc245c8f6bf950/Nathan-Walker-prototype-accepted2.jpg" data-mid="193956569" border="0"  src="https://freight.cargo.site/w/1000/i/5cfd52ff782858eca7dc7566003481b4cc3e1e6e1bc7a81152bc245c8f6bf950/Nathan-Walker-prototype-accepted2.jpg" /&#62;


	surfaces imagining a body, an archive of forces, cross your voice
	2023
	Published in Prototype Anthology 5 ISBN:978-1-913513-45-0


&#60;img width="873" height="1240" width_o="873" height_o="1240" data-src="https://freight.cargo.site/t/original/i/4bef67fd5e2960aa03feec4f786f66179fa41ce92c23725be65043a2f0170c9c/PA23-51-01-Print.jpg" data-mid="205946776" border="0"  src="https://freight.cargo.site/w/873/i/4bef67fd5e2960aa03feec4f786f66179fa41ce92c23725be65043a2f0170c9c/PA23-51-01-Print.jpg" /&#62;


	a hot sound
	2023
	Published in Poetry &#38;amp; Audience, Vol 51(1), ISSN 0032 2040

				
&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/57e2af588ea501a4db81084225b4086a9113397794ccd7bd0b978f0cf96f3aae/skirting_nathanwalker_pamenar2.jpg" data-mid="193956568" border="0"  src="https://freight.cargo.site/w/1000/i/57e2af588ea501a4db81084225b4086a9113397794ccd7bd0b978f0cf96f3aae/skirting_nathanwalker_pamenar2.jpg" /&#62;
&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/f04eaf64f7ed916e2feb8beef2788fcb2e9384257d6e527a68085b438388b063/skirting_nathanwalker_pamenar3.jpg" data-mid="193956567" border="0"  src="https://freight.cargo.site/w/1000/i/f04eaf64f7ed916e2feb8beef2788fcb2e9384257d6e527a68085b438388b063/skirting_nathanwalker_pamenar3.jpg" /&#62;
&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/e57fba279d86d3a0d96a34923dee98494545cc43a5833f413ecd3b268a1a0379/skirting_nathanwalker_pamenar4.jpg" data-mid="193956566" border="0"  src="https://freight.cargo.site/w/1000/i/e57fba279d86d3a0d96a34923dee98494545cc43a5833f413ecd3b268a1a0379/skirting_nathanwalker_pamenar4.jpg" /&#62;


	a sharp that moves, feelings are facts, a touch&#38;nbsp;
	2022
	 Published online in&#38;nbsp;Pamenar Magazine


&#60;img width="1440" height="900" width_o="1440" height_o="900" data-src="https://freight.cargo.site/t/original/i/5ce28a1be6885cfdefd78dd0d56a7fc968f57c066a27156a47c4eb90a5aae7ae/carryingmouthnathanwalker.jpg" data-mid="233749654" border="0"  src="https://freight.cargo.site/w/1000/i/5ce28a1be6885cfdefd78dd0d56a7fc968f57c066a27156a47c4eb90a5aae7ae/carryingmouthnathanwalker.jpg" /&#62;


	Carrying in the Mouth
	2020
	Published online in&#38;nbsp;Futch Press Blog &#38;amp; excerpted in 100 Queer Poems (2022) Eds. Mary Jean Chan &#38;amp; Andrew McMillan, published by Vintage


&#60;img width="1080" height="1860" width_o="1080" height_o="1860" data-src="https://freight.cargo.site/t/original/i/9abcdf9cac9f4f643321b5f3d8466c3343fe9e86b8484af7308b07bb723dabc9/nw_jarg.jpg" data-mid="193956561" border="0"  src="https://freight.cargo.site/w/1000/i/9abcdf9cac9f4f643321b5f3d8466c3343fe9e86b8484af7308b07bb723dabc9/nw_jarg.jpg" /&#62;


	devastating convinces 
	2021
	published in JARG Issue 3


&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/35695e2c7fe90365e0d996876d771a99cf8a5223d8b24a262b1c445efcf7a28b/nathanwalker_babeltower_3.jpg" data-mid="193956558" border="0"  src="https://freight.cargo.site/w/1000/i/35695e2c7fe90365e0d996876d771a99cf8a5223d8b24a262b1c445efcf7a28b/nathanwalker_babeltower_3.jpg" /&#62;
&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/97c4f2b49bdec88bec995032e9ac655c830e7eedaf351a13b3f645c1816faf07/nathanwalker_babeltower_2.jpg" data-mid="193956559" border="0"  src="https://freight.cargo.site/w/1000/i/97c4f2b49bdec88bec995032e9ac655c830e7eedaf351a13b3f645c1816faf07/nathanwalker_babeltower_2.jpg" /&#62;
&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/a542cd57f95de31bc34924101a0aaab2ab92de681da61c50b344a7263dc8e004/nathanwalker_babeltower_1.jpg" data-mid="193956560" border="0"  src="https://freight.cargo.site/w/1000/i/a542cd57f95de31bc34924101a0aaab2ab92de681da61c50b344a7263dc8e004/nathanwalker_babeltower_1.jpg" /&#62;


	turning, not rinsing, gut in saying
	2021
	published online at Babel Tower Notice Board


&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/3518402fe4fa958ecf823d9f142e65f06ac072aafbec6fe6d061f98d20e3b6cb/nwalker-open-collar-page-1.jpg" data-mid="193956474" border="0" data-no-zoom="true" alt="Open Collar (2020) Published in Tripwire 16" data-caption="Open Collar (2020) Published in Tripwire 16" src="https://freight.cargo.site/w/1000/i/3518402fe4fa958ecf823d9f142e65f06ac072aafbec6fe6d061f98d20e3b6cb/nwalker-open-collar-page-1.jpg" /&#62;
&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/a197ebfb9c072f0abd78f7019a306c7c647ddc2a3b9613a536f8c7e7881728f8/nwalker-open-collar-page-2.jpg" data-mid="193956475" border="0" data-no-zoom="true" alt="Open Collar (2020) Published in Tripwire 16" data-caption="Open Collar (2020) Published in Tripwire 16" src="https://freight.cargo.site/w/1000/i/a197ebfb9c072f0abd78f7019a306c7c647ddc2a3b9613a536f8c7e7881728f8/nwalker-open-collar-page-2.jpg" /&#62;
&#60;img width="1080" height="1528" width_o="1080" height_o="1528" data-src="https://freight.cargo.site/t/original/i/6e5b24f00d7cdadef79ef10cf1c4c866e5117ca33a7292425f068a15bde25484/nwalker-open-collar-page-3.jpg" data-mid="193956506" border="0" data-no-zoom="true" alt="Open Collar (2020) Published in Tripwire 16" data-caption="Open Collar (2020) Published in Tripwire 16" src="https://freight.cargo.site/w/1000/i/6e5b24f00d7cdadef79ef10cf1c4c866e5117ca33a7292425f068a15bde25484/nwalker-open-collar-page-3.jpg" /&#62;
&#60;img width="1080" height="1528" width_o="1080" height_o="1528" data-src="https://freight.cargo.site/t/original/i/7fecb26ae99e6ff96d4e622054ca96d989156fabae72666f79c245bbd2466be5/nwalker-open-collar-page-4.jpg" data-mid="193956507" border="0" data-no-zoom="true" alt="Open Collar (2020) Published in Tripwire 16" data-caption="Open Collar (2020) Published in Tripwire 16" src="https://freight.cargo.site/w/1000/i/7fecb26ae99e6ff96d4e622054ca96d989156fabae72666f79c245bbd2466be5/nwalker-open-collar-page-4.jpg" /&#62;


	Open Collar&#38;nbsp;
	2020
	Published in Tripwire Issue 16, 4pp.


&#60;img width="768" height="503" width_o="768" height_o="503" data-src="https://freight.cargo.site/t/original/i/ba2faa6fa7b46a657588ce720f82d16a95c3f987c6b73d8248103575a7147532/N-Walker-Amberflora-Submission-e1567092017798-768x503.jpg" data-mid="193956565" border="0"  src="https://freight.cargo.site/w/768/i/ba2faa6fa7b46a657588ce720f82d16a95c3f987c6b73d8248103575a7147532/N-Walker-Amberflora-Submission-e1567092017798-768x503.jpg" /&#62;


	vocal&#38;nbsp;
	2019
	Published online in Amberflora Issue 8


&#60;img width="3508" height="4961" width_o="3508" height_o="4961" data-src="https://freight.cargo.site/t/original/i/7ab5a08c95edbaa0e966dc1658b192c28c38f9053e6cf00bea5009dc5a24eed1/highhigherhire.jpg" data-mid="193956479" border="0" data-no-zoom="true" alt="Back Hand (page 1) (2020)" data-caption="Back Hand (page 1) (2020)" src="https://freight.cargo.site/w/1000/i/7ab5a08c95edbaa0e966dc1658b192c28c38f9053e6cf00bea5009dc5a24eed1/highhigherhire.jpg" /&#62;
&#60;img width="3508" height="4961" width_o="3508" height_o="4961" data-src="https://freight.cargo.site/t/original/i/1b2c773b186ccb42f3e05e54a996b76b29e76ae39d8ace15fdf50753017e71cc/highhigherhire2.jpg" data-mid="193956480" border="0" data-no-zoom="true" alt="Back Hand (page 2) (2020)" data-caption="Back Hand (page 2) (2020)" src="https://freight.cargo.site/w/1000/i/1b2c773b186ccb42f3e05e54a996b76b29e76ae39d8ace15fdf50753017e71cc/highhigherhire2.jpg" /&#62;
&#60;img width="3508" height="4961" width_o="3508" height_o="4961" data-src="https://freight.cargo.site/t/original/i/910080aff8bc8ca7d43d142b96234de90610013affa983d4a2acea8ab1716d86/highhigherhire3.jpg" data-mid="193956473" border="0" data-no-zoom="true" alt="Back Hand (page 3) (2020)" data-caption="Back Hand (page 3) (2020)" src="https://freight.cargo.site/w/1000/i/910080aff8bc8ca7d43d142b96234de90610013affa983d4a2acea8ab1716d86/highhigherhire3.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ba0daa392121a0aa4c700c24aa859ae297c7adb696325979aa4c675e14d9f225/still-1.jpg" data-mid="193956520" border="0" data-no-zoom="true" alt="Back Hand, video still" data-caption="Back Hand, video still" src="https://freight.cargo.site/w/1000/i/ba0daa392121a0aa4c700c24aa859ae297c7adb696325979aa4c675e14d9f225/still-1.jpg" /&#62;


	Back Hand&#38;nbsp;
	2019
	Published in Blackbox Manifold Issue 23, special issue edited by Linda Kemp. See&#38;nbsp;video link


&#60;img width="3600" height="5400" width_o="3600" height_o="5400" data-src="https://freight.cargo.site/t/original/i/a6d6d3b109458c52a635b8d225cd2010a551c659bfa518a9ced403234256889d/nwalker_mantis2.jpg" data-mid="193956490" border="0" data-no-zoom="true" alt="Brooch Score (2019)" data-caption="Brooch Score (2019)" src="https://freight.cargo.site/w/1000/i/a6d6d3b109458c52a635b8d225cd2010a551c659bfa518a9ced403234256889d/nwalker_mantis2.jpg" /&#62;
&#60;img width="3600" height="5400" width_o="3600" height_o="5400" data-src="https://freight.cargo.site/t/original/i/3f401b7893df0a3faafddfcc8fa9bb6c9b3d38f93b5361d1dd2a56f012858a8e/nwalker_mantis.jpg" data-mid="193956489" border="0" data-no-zoom="true" alt="Brooch Score (2019)" data-caption="Brooch Score (2019)" src="https://freight.cargo.site/w/1000/i/3f401b7893df0a3faafddfcc8fa9bb6c9b3d38f93b5361d1dd2a56f012858a8e/nwalker_mantis.jpg" /&#62;
&#60;img width="3600" height="5400" width_o="3600" height_o="5400" data-src="https://freight.cargo.site/t/original/i/d63e52f947946eff74f9a0d016cc52d7e68d05fa7fad53bfb3500be313b03e3d/nwalker_mantis3.jpg" data-mid="193956491" border="0" data-no-zoom="true" alt="Brooch Score (2019)" data-caption="Brooch Score (2019)" src="https://freight.cargo.site/w/1000/i/d63e52f947946eff74f9a0d016cc52d7e68d05fa7fad53bfb3500be313b03e3d/nwalker_mantis3.jpg" /&#62;


	Brooch Score&#38;nbsp;
	2019
	Published in Mantis Journal, Stanford Universitt


&#60;img width="1754" height="2480" width_o="1754" height_o="2480" data-src="https://freight.cargo.site/t/original/i/35a4d4badb5d4b07a70701834b77a1c67f424b9474179d12c3f84855ae822793/nwalker_dark-navigation-page1.jpg" data-mid="193956492" border="0"  src="https://freight.cargo.site/w/1000/i/35a4d4badb5d4b07a70701834b77a1c67f424b9474179d12c3f84855ae822793/nwalker_dark-navigation-page1.jpg" /&#62;
&#60;img width="1754" height="2480" width_o="1754" height_o="2480" data-src="https://freight.cargo.site/t/original/i/f9d415f940da765f78b9d7042db8401ee60fb8eaaa052e9cef681202b9029b8d/nwalker_dark-navigation-page2.jpg" data-mid="193956493" border="0"  src="https://freight.cargo.site/w/1000/i/f9d415f940da765f78b9d7042db8401ee60fb8eaaa052e9cef681202b9029b8d/nwalker_dark-navigation-page2.jpg" /&#62;
&#60;img width="1754" height="2480" width_o="1754" height_o="2480" data-src="https://freight.cargo.site/t/original/i/0665604f1d80fc4856418b45b2cfa4de3105139b7a488a7a601efff012ec9bdb/nwalker_dark-navigation-page3.jpg" data-mid="193956494" border="0"  src="https://freight.cargo.site/w/1000/i/0665604f1d80fc4856418b45b2cfa4de3105139b7a488a7a601efff012ec9bdb/nwalker_dark-navigation-page3.jpg" /&#62;


	Dark Navigation
	2018
	Published online in Datableed Issue 11

&#60;img width="1728" height="1080" width_o="1728" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1b9d4b596a1c67e09b3dfecaa430d086fb44ca4fde4c2afdf3907d96e4e812e5/cover.jpg" data-mid="193956477" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/1b9d4b596a1c67e09b3dfecaa430d086fb44ca4fde4c2afdf3907d96e4e812e5/cover.jpg" /&#62;


&#60;img width="1677" height="2764" width_o="1677" height_o="2764" data-src="https://freight.cargo.site/t/original/i/e567c1c0683bf48128140257a93dd7277607a4e504949fb908d0c7eca00877db/Condensations44.jpg" data-mid="193956549" border="0"  src="https://freight.cargo.site/w/1000/i/e567c1c0683bf48128140257a93dd7277607a4e504949fb908d0c7eca00877db/Condensations44.jpg" /&#62;
&#60;img width="1677" height="2764" width_o="1677" height_o="2764" data-src="https://freight.cargo.site/t/original/i/38deaca463d38c2c4b3431d0398081b51558e1748e185b11453f542855cce5ae/Condensations45.jpg" data-mid="193956554" border="0"  src="https://freight.cargo.site/w/1000/i/38deaca463d38c2c4b3431d0398081b51558e1748e185b11453f542855cce5ae/Condensations45.jpg" /&#62;
&#60;img width="1677" height="2764" width_o="1677" height_o="2764" data-src="https://freight.cargo.site/t/original/i/a95c89d93dbd3f28d6ff98c811ad0e93b4d13da0e15872ad96dd9ac88148f466/Condensations39.jpg" data-mid="193956552" border="0"  src="https://freight.cargo.site/w/1000/i/a95c89d93dbd3f28d6ff98c811ad0e93b4d13da0e15872ad96dd9ac88148f466/Condensations39.jpg" /&#62;
&#60;img width="1677" height="2764" width_o="1677" height_o="2764" data-src="https://freight.cargo.site/t/original/i/5986ae02947f798898d547161a757b5c43abdaecbf507bc22f9a56d28981a6f3/Condensations50.jpg" data-mid="193956550" border="0"  src="https://freight.cargo.site/w/1000/i/5986ae02947f798898d547161a757b5c43abdaecbf507bc22f9a56d28981a6f3/Condensations50.jpg" /&#62;
&#60;img width="1677" height="2764" width_o="1677" height_o="2764" data-src="https://freight.cargo.site/t/original/i/434c5f1cd308eb2f90dba379ae556b6438ea8402a0daf61e8effc96d45415d16/Condensations18.jpg" data-mid="193956553" border="0"  src="https://freight.cargo.site/w/1000/i/434c5f1cd308eb2f90dba379ae556b6438ea8402a0daf61e8effc96d45415d16/Condensations18.jpg" /&#62;
&#60;img width="1677" height="2764" width_o="1677" height_o="2764" data-src="https://freight.cargo.site/t/original/i/94c1539692f47aef4a795cca391ba94a54f6969161d6be3a41ad0940f4c14c21/Condensations72.jpg" data-mid="193956548" border="0"  src="https://freight.cargo.site/w/1000/i/94c1539692f47aef4a795cca391ba94a54f6969161d6be3a41ad0940f4c14c21/Condensations72.jpg" /&#62;


	Condensations (2017) 
	2017
	Published by Uniformbooks,&#38;nbsp;88pp, ISBN 978 1 910010 14 3

More information available here
&#38;nbsp;


&#60;img width="7938" height="11245" width_o="7938" height_o="11245" data-src="https://freight.cargo.site/t/original/i/846bcc1602b12a58bed6ae00816074498fc610e2f34788fabee00bd5013ce00d/n_walker_styan-uniform.jpg" data-mid="193956497" border="0" data-no-zoom="true" alt="Styan (2017)" data-caption="Styan (2017)" src="https://freight.cargo.site/w/1000/i/846bcc1602b12a58bed6ae00816074498fc610e2f34788fabee00bd5013ce00d/n_walker_styan-uniform.jpg" /&#62;
&#60;img width="7938" height="11245" width_o="7938" height_o="11245" data-src="https://freight.cargo.site/t/original/i/324175ff1071065319fe3cb79a34125deb4727d05593697d798db51403957546/n_walker_styan-uniform4.jpg" data-mid="193956500" border="0" data-no-zoom="true" alt="Styan (2017)" data-caption="Styan (2017)" src="https://freight.cargo.site/w/1000/i/324175ff1071065319fe3cb79a34125deb4727d05593697d798db51403957546/n_walker_styan-uniform4.jpg" /&#62;
&#60;img width="7938" height="11245" width_o="7938" height_o="11245" data-src="https://freight.cargo.site/t/original/i/599e9230e8221d22ba7117cacc1ed89215a411203c92fa927217bc0ea4b6369d/n_walker_styan-uniform3.jpg" data-mid="193956499" border="0" data-no-zoom="true" alt="Styan (2017)" data-caption="Styan (2017)" src="https://freight.cargo.site/w/1000/i/599e9230e8221d22ba7117cacc1ed89215a411203c92fa927217bc0ea4b6369d/n_walker_styan-uniform3.jpg" /&#62;
&#60;img width="7938" height="11245" width_o="7938" height_o="11245" data-src="https://freight.cargo.site/t/original/i/ecf9c54070ba8a741444e1a282b3d2d02f1e25b00684295231c447882186e80b/n_walker_styan-uniform2.jpg" data-mid="193956498" border="0" data-no-zoom="true" alt="Styan (2017)" data-caption="Styan (2017)" src="https://freight.cargo.site/w/1000/i/ecf9c54070ba8a741444e1a282b3d2d02f1e25b00684295231c447882186e80b/n_walker_styan-uniform2.jpg" /&#62;


	Styan&#38;nbsp;
	2017
	Published in Uniformannual by Uniformbooks


&#60;img width="2384" height="3371" width_o="2384" height_o="3371" data-src="https://freight.cargo.site/t/original/i/833ba01433bacb124cee8a1bb8d3630785bb8b27c7e621c2704a30851368df8f/LUTT-full-size.jpg" data-mid="193956496" border="0" alt="Lilies Under the Tongue (2018) Performed at Queering Ritual" data-caption="Lilies Under the Tongue (2018) Performed at Queering Ritual" src="https://freight.cargo.site/w/1000/i/833ba01433bacb124cee8a1bb8d3630785bb8b27c7e621c2704a30851368df8f/LUTT-full-size.jpg" /&#62;


	Lilies Under the Tongue&#38;nbsp;
	2017
	Unpublished, performed at Queering Ritual, York


&#60;img width="874" height="1240" width_o="874" height_o="1240" data-src="https://freight.cargo.site/t/original/i/9b32718b0e2995caf48b9e397f45146763ff6a0eff5b36d10b674599994798bf/Ridge.jpg" data-mid="193956508" border="0"  src="https://freight.cargo.site/w/874/i/9b32718b0e2995caf48b9e397f45146763ff6a0eff5b36d10b674599994798bf/Ridge.jpg" /&#62;
&#60;img width="874" height="1240" width_o="874" height_o="1240" data-src="https://freight.cargo.site/t/original/i/b10d672e3acbac5ca342953f3e35589f0ffc52b257bde4e3cb8d3c34c1ceea24/Ridge2.jpg" data-mid="193956509" border="0"  src="https://freight.cargo.site/w/874/i/b10d672e3acbac5ca342953f3e35589f0ffc52b257bde4e3cb8d3c34c1ceea24/Ridge2.jpg" /&#62;
&#60;img width="874" height="1240" width_o="874" height_o="1240" data-src="https://freight.cargo.site/t/original/i/ed4184a3ec3d9ae9a3154502eb288f93e5d4d6bf79cdc7524dedf85e640fad32/Ridge4.jpg" data-mid="193956511" border="0" alt="Ridge, Nathan Walker" data-caption="Ridge, Nathan Walker" src="https://freight.cargo.site/w/874/i/ed4184a3ec3d9ae9a3154502eb288f93e5d4d6bf79cdc7524dedf85e640fad32/Ridge4.jpg" /&#62;
&#60;img width="874" height="1240" width_o="874" height_o="1240" data-src="https://freight.cargo.site/t/original/i/8075168b6b9324d4935757fb6d27cc982a139849c8fede192722046263ba39aa/Ridge3.jpg" data-mid="193956510" border="0" alt="Ridge (2017) Published in Alterity Journal" data-caption="Ridge (2017) Published in Alterity Journal" src="https://freight.cargo.site/w/874/i/8075168b6b9324d4935757fb6d27cc982a139849c8fede192722046263ba39aa/Ridge3.jpg" /&#62;


	Ridge (2017) 
	2017
	Published in Alterity Journal Issue One


&#60;img width="6142" height="8977" width_o="6142" height_o="8977" data-src="https://freight.cargo.site/t/original/i/f984a2eea742775e8a70187a271c4e55606c6dd8283d5fbcf55bd4410af5b28c/Gorse-N-Walker.jpg" data-mid="193956501" border="0"  src="https://freight.cargo.site/w/1000/i/f984a2eea742775e8a70187a271c4e55606c6dd8283d5fbcf55bd4410af5b28c/Gorse-N-Walker.jpg" /&#62;
&#60;img width="6142" height="8977" width_o="6142" height_o="8977" data-src="https://freight.cargo.site/t/original/i/fb702c7cbe504652c8a8eae185a023a5570377c4581925823e5608ded7cff212/Gorse-N-Walker2.jpg" data-mid="193956502" border="0"  src="https://freight.cargo.site/w/1000/i/fb702c7cbe504652c8a8eae185a023a5570377c4581925823e5608ded7cff212/Gorse-N-Walker2.jpg" /&#62;
&#60;img width="6142" height="8977" width_o="6142" height_o="8977" data-src="https://freight.cargo.site/t/original/i/0e8e0e5edc950bbe070b3ca0cb74c953b54b63ce217875f25bde2032ae21a80b/Gorse-N-Walker3.jpg" data-mid="193956503" border="0"  src="https://freight.cargo.site/w/1000/i/0e8e0e5edc950bbe070b3ca0cb74c953b54b63ce217875f25bde2032ae21a80b/Gorse-N-Walker3.jpg" /&#62;
&#60;img width="6142" height="8977" width_o="6142" height_o="8977" data-src="https://freight.cargo.site/t/original/i/7360437a010aac7fb1ececa1dd4e7fe163276a60aec3d2c01215118303963a99/Gorse-N-Walker4.jpg" data-mid="193956504" border="0"  src="https://freight.cargo.site/w/1000/i/7360437a010aac7fb1ececa1dd4e7fe163276a60aec3d2c01215118303963a99/Gorse-N-Walker4.jpg" /&#62;
&#60;img width="6142" height="8977" width_o="6142" height_o="8977" data-src="https://freight.cargo.site/t/original/i/1eb745c2657215ad4968bc765e25daeef32ce92cb7421f99d4284843cdff93f4/Gorse-N-Walker5.jpg" data-mid="193956505" border="0"  src="https://freight.cargo.site/w/1000/i/1eb745c2657215ad4968bc765e25daeef32ce92cb7421f99d4284843cdff93f4/Gorse-N-Walker5.jpg" /&#62;


	Fells &#38;amp; Rake &#38;nbsp;
	2017
	Published in Gorse Issue 9,&#38;nbsp;ISBN: 978-0-9928047-9-4


&#60;img width="2000" height="2829" width_o="2000" height_o="2829" data-src="https://freight.cargo.site/t/original/i/b20e76746fbdc23bb561b3749383ca2a1d78fdc84607108f1e2bcc86f1ffc6f6/Flax-1.jpg" data-mid="193956521" border="0"  src="https://freight.cargo.site/w/1000/i/b20e76746fbdc23bb561b3749383ca2a1d78fdc84607108f1e2bcc86f1ffc6f6/Flax-1.jpg" /&#62;
&#60;img width="2000" height="2829" width_o="2000" height_o="2829" data-src="https://freight.cargo.site/t/original/i/3c04c52b3df00affbb65cdcb6a46cc564c0e4dc2348a5a36747744206d9180e2/Flax-2.jpg" data-mid="193956522" border="0"  src="https://freight.cargo.site/w/1000/i/3c04c52b3df00affbb65cdcb6a46cc564c0e4dc2348a5a36747744206d9180e2/Flax-2.jpg" /&#62;
&#60;img width="2000" height="2829" width_o="2000" height_o="2829" data-src="https://freight.cargo.site/t/original/i/fe3d7ae83497efd99cfb0d8e04684af01b7aaaa985bf4c697fd00418d85192dc/Flax-3.jpg" data-mid="193956523" border="0"  src="https://freight.cargo.site/w/1000/i/fe3d7ae83497efd99cfb0d8e04684af01b7aaaa985bf4c697fd00418d85192dc/Flax-3.jpg" /&#62;
&#60;img width="3507" height="4960" width_o="3507" height_o="4960" data-src="https://freight.cargo.site/t/original/i/db120861e2a8a9fec79d46487d8ed0e31f39fc29498cd8e59be842cf0af2973b/Flax-9.jpg" data-mid="193956526" border="0"  src="https://freight.cargo.site/w/1000/i/db120861e2a8a9fec79d46487d8ed0e31f39fc29498cd8e59be842cf0af2973b/Flax-9.jpg" /&#62;
&#60;img width="2000" height="2829" width_o="2000" height_o="2829" data-src="https://freight.cargo.site/t/original/i/e1e87f46458b4248c0f74b6c0b6d4a2d68cda045fed0b97735d74654242912f4/Flax-8.jpg" data-mid="193956525" border="0"  src="https://freight.cargo.site/w/1000/i/e1e87f46458b4248c0f74b6c0b6d4a2d68cda045fed0b97735d74654242912f4/Flax-8.jpg" /&#62;
&#60;img width="2000" height="2829" width_o="2000" height_o="2829" data-src="https://freight.cargo.site/t/original/i/41885d79669e0a9c2beaac1c0c7ceaf5226d6cf214c58e2f3ca10d0c91eb9a45/Flax-5.jpg" data-mid="193956524" border="0"  src="https://freight.cargo.site/w/1000/i/41885d79669e0a9c2beaac1c0c7ceaf5226d6cf214c58e2f3ca10d0c91eb9a45/Flax-5.jpg" /&#62;


	Flax
	2017
	Published online as part of Poem Brut in&#38;nbsp;3AM Magazine


&#60;img width="1094" height="615" width_o="1094" height_o="615" data-src="https://freight.cargo.site/t/original/i/ae46c6f9fc579e8d804c28188953172107d0d5357373e8f51d8fd3fdf2b87a12/asg_shots_0001_Layer-2.png" data-mid="193956528" border="0"  src="https://freight.cargo.site/w/1000/i/ae46c6f9fc579e8d804c28188953172107d0d5357373e8f51d8fd3fdf2b87a12/asg_shots_0001_Layer-2.png" /&#62;
&#60;img width="1094" height="615" width_o="1094" height_o="615" data-src="https://freight.cargo.site/t/original/i/e002fc338049d9225dbd18a98beef8225d717bed3abdfa949e691f04b411b1be/asg_shots_0002_Layer-17.png" data-mid="193956529" border="0"  src="https://freight.cargo.site/w/1000/i/e002fc338049d9225dbd18a98beef8225d717bed3abdfa949e691f04b411b1be/asg_shots_0002_Layer-17.png" /&#62;
&#60;img width="1094" height="615" width_o="1094" height_o="615" data-src="https://freight.cargo.site/t/original/i/dd5b1814fb0a9f9767221e1eed8e91cb5635d9d6a91970922f72ae0eeded39a9/asg_shots_0003_Layer-16.png" data-mid="193956530" border="0"  src="https://freight.cargo.site/w/1000/i/dd5b1814fb0a9f9767221e1eed8e91cb5635d9d6a91970922f72ae0eeded39a9/asg_shots_0003_Layer-16.png" /&#62;
&#60;img width="1094" height="615" width_o="1094" height_o="615" data-src="https://freight.cargo.site/t/original/i/e2ec0b3ceed02ff648bf78c8cda2ed027730f285c9aa5e683893dc82d36bbef9/asg_shots_0005_Layer-14.png" data-mid="193956532" border="0"  src="https://freight.cargo.site/w/1000/i/e2ec0b3ceed02ff648bf78c8cda2ed027730f285c9aa5e683893dc82d36bbef9/asg_shots_0005_Layer-14.png" /&#62;
&#60;img width="1094" height="615" width_o="1094" height_o="615" data-src="https://freight.cargo.site/t/original/i/c09b6af7b6133c8e61253922e5f666e29208eddcf02fad8056436f4ba9796f3c/asg_shots_0008_Layer-11.png" data-mid="193956536" border="0"  src="https://freight.cargo.site/w/1000/i/c09b6af7b6133c8e61253922e5f666e29208eddcf02fad8056436f4ba9796f3c/asg_shots_0008_Layer-11.png" /&#62;
&#60;img width="1094" height="615" width_o="1094" height_o="615" data-src="https://freight.cargo.site/t/original/i/c189c8263c7432e75cb7a4c09c9f280ac5109440e3417441a22b454646bcf55f/asg_shots_0006_Layer-13.png" data-mid="193956534" border="0"  src="https://freight.cargo.site/w/1000/i/c189c8263c7432e75cb7a4c09c9f280ac5109440e3417441a22b454646bcf55f/asg_shots_0006_Layer-13.png" /&#62;
&#60;img width="1094" height="615" width_o="1094" height_o="615" data-src="https://freight.cargo.site/t/original/i/6191fc37393eae06d8dc4efb91ac4dc2cf2050aa3a6f6fdfe64833766c3a8d40/asg_shots_0009_Layer-10.png" data-mid="193956537" border="0"  src="https://freight.cargo.site/w/1000/i/6191fc37393eae06d8dc4efb91ac4dc2cf2050aa3a6f6fdfe64833766c3a8d40/asg_shots_0009_Layer-10.png" /&#62;
&#60;img width="1094" height="615" width_o="1094" height_o="615" data-src="https://freight.cargo.site/t/original/i/b1f5b488cbe80a7088766a5adfdc708ba57232cb847394991679766145425334/asg_shots_0011_Layer-8.png" data-mid="193956539" border="0"  src="https://freight.cargo.site/w/1000/i/b1f5b488cbe80a7088766a5adfdc708ba57232cb847394991679766145425334/asg_shots_0011_Layer-8.png" /&#62;
&#60;img width="1094" height="615" width_o="1094" height_o="615" data-src="https://freight.cargo.site/t/original/i/99531aa7b44f09c37d43e3bec71eef4831a27921f55bec40905ae6ff5d6e22d6/asg_shots_0015_Layer-4.png" data-mid="193956543" border="0"  src="https://freight.cargo.site/w/1000/i/99531aa7b44f09c37d43e3bec71eef4831a27921f55bec40905ae6ff5d6e22d6/asg_shots_0015_Layer-4.png" /&#62;
&#60;img width="1094" height="615" width_o="1094" height_o="615" data-src="https://freight.cargo.site/t/original/i/1ac28a5b7d45ee0df99e38369fce2dc5d511a86290770a7669604309220dd175/asg_shots_0013_Layer-6.png" data-mid="193956541" border="0"  src="https://freight.cargo.site/w/1000/i/1ac28a5b7d45ee0df99e38369fce2dc5d511a86290770a7669604309220dd175/asg_shots_0013_Layer-6.png" /&#62;
&#60;img width="1094" height="615" width_o="1094" height_o="615" data-src="https://freight.cargo.site/t/original/i/f72c10158d049eb6ba1f1591def7bab2855048eb34365ad7b22f32424a92a8bf/asg_shots_0012_Layer-7.png" data-mid="193956540" border="0"  src="https://freight.cargo.site/w/1000/i/f72c10158d049eb6ba1f1591def7bab2855048eb34365ad7b22f32424a92a8bf/asg_shots_0012_Layer-7.png" /&#62;
&#60;img width="1094" height="615" width_o="1094" height_o="615" data-src="https://freight.cargo.site/t/original/i/63ee3279819625f8db457cd7da97482a06c2d457a4a79c571bc3e21c078064cd/asg_shots_0014_Layer-5.png" data-mid="193956542" border="0"  src="https://freight.cargo.site/w/1000/i/63ee3279819625f8db457cd7da97482a06c2d457a4a79c571bc3e21c078064cd/asg_shots_0014_Layer-5.png" /&#62;
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&#60;img width="1728" height="1080" width_o="1728" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2aa2bc9969d821ff2beb6826341c294acdb2507257fa90cdf5eea7a3bb9a63af/asg_cover.jpg" data-mid="203982277" border="0"  src="https://freight.cargo.site/w/1000/i/2aa2bc9969d821ff2beb6826341c294acdb2507257fa90cdf5eea7a3bb9a63af/asg_cover.jpg" /&#62;
&#60;img width="1080" height="720" width_o="1080" height_o="720" data-src="https://freight.cargo.site/t/original/i/66997f839868bb20077833ff3b5107cc1fcfc8d29f5ad00f3a19cf6c1584d635/conceptual_poetics-0095-1.jpg" data-mid="193956514" border="0"  src="https://freight.cargo.site/w/1000/i/66997f839868bb20077833ff3b5107cc1fcfc8d29f5ad00f3a19cf6c1584d635/conceptual_poetics-0095-1.jpg" /&#62;

	Action Score Generator&#38;nbsp;
	2015
	 Published by If P then Q, 624pp,&#38;nbsp;ISBN: 978-0-9571827-6-9
 
More information available here


</description>
		
	</item>
		
		
	<item>
		<title>video</title>
				
		<link>https://nathan-walker.co.uk/video</link>

		<pubDate>Tue, 17 Oct 2023 13:07:52 +0000</pubDate>

		<dc:creator>actionpoetryperformance</dc:creator>

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		<description>
	Nathan Walker
	Video


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&#60;img width="4627" height="3085" width_o="4627" height_o="3085" data-src="https://freight.cargo.site/t/original/i/afb9287e9525f8f23de2dbde968e8aa8c33205521dd39f3100db3eecb8a7b978/DSCF4743.jpg" data-mid="193956678" border="0"  src="https://freight.cargo.site/w/1000/i/afb9287e9525f8f23de2dbde968e8aa8c33205521dd39f3100db3eecb8a7b978/DSCF4743.jpg" /&#62;


	Clench (2020) 
	20 mins HD video
	Exhibited as part of ‘An Elastic Continuum’ at S1 Artspace, Sheffield, 17 June - 22 June 2023. Curated by the New Materialist Reading Group
Photographs by @photo.csv


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	Clench (2020)  
	20 mins HD Video
	First presented as part of SLANT Forms in Flux online&#38;nbsp;Video on request
&#38;nbsp;


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	Dressing (2021)
	10 mins HD Video
	First presented as part of Spill Yer TeaVideo on request


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ba0daa392121a0aa4c700c24aa859ae297c7adb696325979aa4c675e14d9f225/still-1.jpg" data-mid="193956673" border="0"  src="https://freight.cargo.site/w/1000/i/ba0daa392121a0aa4c700c24aa859ae297c7adb696325979aa4c675e14d9f225/still-1.jpg" /&#62;
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	Back Hand (2019) 
	5 mins HD Video
	Published in Blackbox Manifold Issue 23, special edition edited by Linda Kemp&#38;nbsp;
Video link


&#60;img width="1500" height="500" width_o="1500" height_o="500" data-src="https://freight.cargo.site/t/original/i/551d2472083fde2bb65e19af70f9b14b5d67a9ecacf44626ccccaeba0aa4a102/twitter-header-2018.jpg" data-mid="193956607" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/551d2472083fde2bb65e19af70f9b14b5d67a9ecacf44626ccccaeba0aa4a102/twitter-header-2018.jpg" /&#62;
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	Cope (2018) 
	17 mins HD Video
	Performance for cameraAvailable to view online


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	Scaw (2015)
	4 mins HD Video
	Published online in Datableed Issue 2 


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Objectivity Tropes / Objectivist Poetry (2011)
	12 mins, 3-channel SD video projections, looped.
	Installed as part of the group exhibition Hunter Gatherer at Project Space Leeds, Leeds.&#38;nbsp;Nine artists from across the North of England were invited to create new work in response to Artemis, an amazing collection of over 10,000 objects relating to world cultures, fine and applied art, science, natural history, textiles and costume, social history, childhood and more.&#38;nbsp;Exhibiting artists: Amelia Crouch, Lubaina Himid and Susan Walsh, Dinu Li, Rhiannon Silver, Bryndà ­s Snà ¦björnsdóttir and Mark Wilson, Lisa Stansbie and Nathan Walker.

</description>
		
	</item>
		
		
	<item>
		<title>publications</title>
				
		<link>https://nathan-walker.co.uk/publications</link>

		<pubDate>Tue, 17 Oct 2023 13:07:59 +0000</pubDate>

		<dc:creator>actionpoetryperformance</dc:creator>

		<guid isPermaLink="true">https://nathan-walker.co.uk/publications</guid>

		<description>
	Nathan Walker
	Publications


&#60;img width="1728" height="1080" width_o="1728" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5b7369055fcaf80ac4b43f01a98d4d3d471b074bd30f951fb5e65973b0a93bb8/skirting_cover.jpg" data-mid="201752335" border="0"  src="https://freight.cargo.site/w/1000/i/5b7369055fcaf80ac4b43f01a98d4d3d471b074bd30f951fb5e65973b0a93bb8/skirting_cover.jpg" /&#62;


	Skirting
Published by Broken Sleep Books
2024, paperback, 48pp
ISBN&#38;nbsp;978-1-916938-04-5“No survey of contemporary poetry can be complete without the work of Nathan Walker - their project of poetic embodiment feels entirely singular.  In their search for ‘a language that embodies the events’ , these are poems which speak towards their own definition of queerness- ‘to make possible’ ”— Andrew McMillanSkirting arranges poems in columns that provide multiple reading routes, giving the reader opportunities to make and create a series of ways to engage with and understand the text. This system of arranging and rearranging the poem is explored within the texts too, these poems circle around their subject without naming the events explored. The poems skirt around a figure, event and thoughts, trying to get close to a difficult subject without being able to fully articulate or fix it to the page. Skirting is many attempts at using language to describe and locate.
order Skirting on the Broken Sleep Website


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Condensations 
 Published by Uniformbooks
2017, paperback with flaps, 88ppISBN 978 1 910010 14 3&#38;nbsp; &#38;nbsp; “A powerful and energetic book, a tribute to art and poetry, dialect and nature” — Sarah Bodman&#38;nbsp;
The texts in Condensations are constructed by erasing material from pages of books and manuscripts from the Armitt library and archives and superimposing these partially erased pages.&#38;nbsp;These slow-collage-word-terrains arrange language visually, and are to be read and performed.
Read more about Condensations


&#60;img width="1728" height="1080" width_o="1728" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2aa2bc9969d821ff2beb6826341c294acdb2507257fa90cdf5eea7a3bb9a63af/asg_cover.jpg" data-mid="201752336" border="0"  src="https://freight.cargo.site/w/1000/i/2aa2bc9969d821ff2beb6826341c294acdb2507257fa90cdf5eea7a3bb9a63af/asg_cover.jpg" /&#62;

	Action Score Generator

Published by If p then q Press
2015, paperback 624ppISBN 0957182767The Action Score Generator is print version of Nathan Walker’s website of the same name that runs a JavaScript code. The code produces a text of six words in length for six seconds. Every six seconds the six word text is replaced by another six word text and so on and so, the six word texts disappear. The print version is a sixty-minute performance by a machine writing ten six second texts every minute using only six words at a time. They are ordered as they were produced and remain unedited.It also features an afterword by Mark Leahy
Read more about Action Score Generator
Zines and Chapbooks
	
&#60;img width="1728" height="1080" width_o="1728" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7ab69adb6900a3bca505eddcab2b08a7676617ff068844a340ce1bdeec4ba3d6/tts1.png" data-mid="233280909" border="0"  src="https://freight.cargo.site/w/1000/i/7ab69adb6900a3bca505eddcab2b08a7676617ff068844a340ce1bdeec4ba3d6/tts1.png" /&#62;
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&#60;img width="1728" height="1080" width_o="1728" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a3aa3c448b8d48e9cca34cb70983845d0238e1a348d38b1caf27219e81a86c80/tts4.png" data-mid="233280912" border="0"  src="https://freight.cargo.site/w/1000/i/a3aa3c448b8d48e9cca34cb70983845d0238e1a348d38b1caf27219e81a86c80/tts4.png" /&#62;
&#60;img width="1728" height="1080" width_o="1728" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9b99dbc8b5e89c06dea9cd4c2af2d73a8e7190d9ca8253928cfa398700068457/tts5.png" data-mid="233280913" border="0"  src="https://freight.cargo.site/w/1000/i/9b99dbc8b5e89c06dea9cd4c2af2d73a8e7190d9ca8253928cfa398700068457/tts5.png" /&#62;

	Twenty Truant Shapes&#38;nbsp;

Self Published2024, 8ppThis publication was made to accompany the performance Twenty truant Shapes at Gloam Gallery, Sheffield, UK on 07.09.2024 8am - 8pm. Presented as part of Gloam Shorts, curated by Victoria Sharples.&#38;nbsp;

Download PDF of Twenty Truant Shapes publication here


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&#60;img width="1728" height="1080" width_o="1728" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ede3c17ce2e5e2ebad7c97c3299565bdbfc619bc7f956243a1fdb62114a44123/zinesymposium2.jpg" data-mid="201891655" border="0"  src="https://freight.cargo.site/w/1000/i/ede3c17ce2e5e2ebad7c97c3299565bdbfc619bc7f956243a1fdb62114a44123/zinesymposium2.jpg" /&#62;
&#60;img width="1728" height="1080" width_o="1728" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ee486a5ca1be403af5a33f0ff28821714f20529ee809904c841dd71e07478504/zinesymposium4.jpg" data-mid="201891638" border="0"  src="https://freight.cargo.site/w/1000/i/ee486a5ca1be403af5a33f0ff28821714f20529ee809904c841dd71e07478504/zinesymposium4.jpg" /&#62;

	The Zine Symposium ZineEdited by Charlene Clempson and Nathan Walker
Published by York St John University
2023, Riso paperback 54pp
ISBN 9781906604721
The Zine Symposium Zine brings zine makers and zine thinkers to understand the power the voice in zine making. Adapted from an in-person symposium that was thwarted by the COVID-19 pandemic, this zine re-frames those contributions in paperback form.&#38;nbsp;

Featuring the work of Teal Triggs, Lou Hazelwood, Yol, Nathan Walker, Black Lodge Press, Ellie Armstrong, Eva Spreacher, Katie Dowling, Joana Matias, Kayti Peschke, Jade Blood &#38;amp; Charlene Clempson.&#38;nbsp;


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	Fags Smoking Fags

Self Published
2020-ongoing, 8pp
The queers of art and literature photographed with the ultimate symbol of sex and death, a fag! There are currently three zines each&#38;nbsp; featuring a different icon, Magurite Duras, Susan Sontag, John Waters, Nina Simone, Freddie Mercury, David Hockney &#38;amp; James Baldwin. More to come.


	&#60;img width="1728" height="1080" width_o="1728" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3274b26751fccf631db341879cb8d11c1dfd797e06b4ea7585c9e8b12e62542e/queeranarchy_nwalker.jpg" data-mid="201787606" border="0"  src="https://freight.cargo.site/w/1000/i/3274b26751fccf631db341879cb8d11c1dfd797e06b4ea7585c9e8b12e62542e/queeranarchy_nwalker.jpg" /&#62;
	

	Queer Anarchy
Self Published 2019, paperback, 24ppA collection of citation that arrange ideas of anarchism and queerness with texts from Jamie Heckert, John Cage, Nova Ishtar Daggers-Drawn, Sara Ahmed, Jack Spicer, Jack Halberstam, Susan Song, Sandra Jeppesen, Mary Nardini &#38;amp; Vikky Storm. With an afterword by Nathan Walker.
Download PDF of Queer Anarchy

	&#60;img width="1728" height="1080" width_o="1728" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c7c3c80adaa2ba2d78bf5fecbbabb7c3a8e5bf3cc9c773265f0089979dcaa21f/cover.jpg" data-mid="201785862" border="0"  src="https://freight.cargo.site/w/1000/i/c7c3c80adaa2ba2d78bf5fecbbabb7c3a8e5bf3cc9c773265f0089979dcaa21f/cover.jpg" /&#62;
	Tek Hod
Published by Dock Road Press2016, paperback 18ppTek Hod is a longform assisted cut-up poem in two parts. Using Cumbrian dialect words and local language to arrange disturbing images of home life in rural towns. 
Download PDF of Tek Hod


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	Anagram Newspaper Headlines
Self Published2012 - 2018, paperbackThese quickly made and cheaply available zines used the absurd headlines from UK tabloid newspapers as their starting point. Constructed as to redistribute, subvert and emphasise the peculiar language of the headline, each zine included new arrangments and permutations of what was once a headline.&#38;nbsp;

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		<title>Inventing Difficulty</title>
				
		<link>https://nathan-walker.co.uk/Inventing-Difficulty</link>

		<pubDate>Tue, 17 Oct 2023 13:08:10 +0000</pubDate>

		<dc:creator>actionpoetryperformance</dc:creator>

		<guid isPermaLink="true">https://nathan-walker.co.uk/Inventing-Difficulty</guid>

		<description>
	Nathan Walker
	
	Action Poetry Performance


February 2017

Writing Condensations: Inventing Difficulties
In anticipation of the publication of my book Condensations from Uniformbooks I have mapped out some thoughts on the process of writing it.


Taking the Lake mountains as an example. One may state broadly that the British climber could not have learned how to climb, nor, trained in his judgement and nerve at all, unless he had intentionally attacked every mountain on the ‘wrong side’. Thus, from the first, he had to invent difficulties…[A]ll must agree that this principle which I take to be the guiding principle of the pure crag climber is a dangerous one1
In Summer 2016 I was fortunate to be writer in residence at the Armitt Museum and Gallery in Ambleside, Cumbria, funded by Arts Council England. It is during my time there that I took Larden’s principle forward into my written work: I invented difficulties. Although these difficulties are textual, the dangers of Larden's crag climber are replaced by the complexities of contiguity. Plotting a route through the mass writings of others was not straight forward but, like walking in the fells, nothing rewarding ever is.

I had been drawn to the Armitt for its collection, its history, and for the meeting of disparate subjects with the task of aligning them. I see my writing as collage. Like Schwitters I wanted to appropriate and recycle, to use the discarded and overlooked in order to create associations and new meanings. At the Armitt I was not without resources to do so. I wanted to introduce the history of rock climbing to Cumbrian dialect and the legacy of Kurt Schwitters. This was the beauty of the Armitt, supported in my endeavour by the wonderful Armitt curator Deborah Walsh.


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Condensations detail p.69 Walker, N. Uniformbooks 2017


My invented difficulty was not only to collage from a wide range of sources but to cut and paste these texts into a fixed visual frame. All the texts I used were digitised and treated to procedures of erasure. I removed text I had no interest in, and what remained was the language that spoke to me, the voices of others were condensed. I worked visually and conceptually. All the treated pages withheld their original design and layout, so a piece of text from the top left of the page remains at the top left of the page within Condensations. When all pages were treated they were then superimposed onto one another —a condensation occurs. The overprinting of text(s) produces density and obscurity but, in the same breath, some figures are left defiantly alone like remote islands of single words or phrases. It is these contrasting visual marks that make up the texts in Condensations. They are then grouped visually across page-spreads to produce landscapes, ranges, routes and terrains.

During my residency it became clear that the in order to navigate the terrain a path would need to be formed between these collections of language, geography, folk figures and speech-sounds. These were the routes in which to traverse. Below I have put down my thoughts and notes on the following influences, Coleridge, Crowley, Schwitters, Dialect and Walk(er)ing, that construct Condensations as a project and mark the paths between them.


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Coleridge, Crowley &#38;amp; Schwitters - good lugs on em eh?


Coleridge
There are some well-known literary precedents for this 'invented difficulty' in Lakeland history. The history of rock climbing in the Lake District begins, as all good things do, with poetry. The first recorded rock climb was Samuel Taylor Coleridge’s dramatic descent of Broad Stand in 1802:

My limbs were all in a tremble - I lay upon my Back to rest myself, &#38;amp; was beginning according to my Custom to laugh at myself for a Madman, when the sight of the Crags above me on each side &#38;amp; the impetuous clouds just over them, posting so luridly &#38;amp; so rapidly northward, overawed me. I lay in a state of almost prophetic Trance and Delight — &#38;amp; blessed God aloud, for the powers of Reason &#38;amp; the Will, which remaining no Danger can overpower us! O God, I exclaimed aloud — how calm, how blessed am I now: I know not how to proceed, how to return; but I am calm &#38;amp; fearless &#38;amp; confident; if this Reality were a Dream, if I were asleep, what agonies had I suffered! what screams!&#38;nbsp;2
This situation of seemingly both pleasure and panic was overcome by climbing down a chimney that is now commonly referred to as ‘Fat Man’s Agony’.

Crowley
The exploits of what we might call ‘climbing proper’ followed in 1882 with Walter Parry Haskett Smith and his circle from Wasdale Head and the Wastwater Hotel. Their routes recorded in writing in a communal log book (Climbers Record Book / Wasdale Climbers Book) which included none other than occult ceremonial magician and mountaineer Aleister ‘The Great Beast’ Crowley. I imagine Crowley’s routes as spells, his ascent of the Napes of Great Gable an incantation for reaching other summits, always occurring above the clouds. He missed Coleridge at Broad Stand by just over 90 years but his description is no less high-handed:

Scawfell is separated from Scaw Pikes by a pass called Mickledoor…by going down a littler on one side one can climb the cliffs by the Broad Stand or Mickledoor Chimney…But it had been the ambition of every climber to start from the exact top of the ridge. This was called the Direct Climb of Mickledoor; and no-one had done it. That seemed to be a good shame, so I did it. This time the fat was in the fire.3
When writing in the Climbers’ Record he claimed it to be a ‘most serious compilation’ and never wrote in it without ‘the fullest sense of responsibility’. The climbers book is reprinted in Michael Cocker’s now out-of-print Wasdale Climbing Book (2006) and was one of the many books I was able to access as part of the Armitt Library’s collection. The Armitt Library also currently holds the archive of the Fell and Rock Climbing Club of the English Lake District.

Schwitters


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'Schwitters In England' 1958 Gaberbocchus Press

My initial draw to the Armitt museum and library was for the exiled German artist, dadaist and sound poet Kurt Schwitters. They hold the largest permanent display of his work in the UK and the library has a wealth of books on his work and life, many of them rare. Schwitters spent the last years of his life in Ambleside, where he famously began his fourth and final Merz building - the Merz Barn - he never completed the barn, only one wall remains (housed at the Hatton Gallery, Newcastle Upon Tyne). This construction was an installed collage, architectural cut and paste using objects from the landscape of the Lakes like flowers, stones and piece of wood. Schwitters not only pioneered installation art like this but also sound poetry (and concrete poetry for that matter). Henry M. Sayre shares Maholy-Nagy recollection of a particularly inspiring performance by Schwitters in which he ‘attacks natural language’

In one of his demonstrations, he showed to the audience a poem containing only one letter of a sheet:


WThen he started to “recite” it with slowly rising voice. The consonant varied from a whisper to a wailing siren till at the end he barked with a shockingly loud tone. This was his answer not alone to the social situation but also to the degrading “cherry-mouthed”—“raven-haired”—“babbling-brook”—poetry.The only possible solution seemed to be a return to the elements of poetry, to noise and articulated sound, which are fundamental to all languages… 4
I have written elsewhere about the missing 'W' of Scaw Fell from ordnance survey maps, but Schwitters' 'W' is quite remarkable in that it contains within it a condensation - a sustained breath and vocal landscape hiding inside the double-you. As Sayre reminds us, ‘it is and remains noise…but is transformed in performance into poetry’.5

Dialect


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Oor Mak O' Toak: An Anthology of Lakeland Dialect Poems, 1747-1946

As I see &#38;amp; hear it Cumbrian dialect is sound poetry. The written dialect texts held at the Armitt are a joyous celebration of Cumberland and Westmorland spoken language and include an almost full collection of the Grasmere Dialect plays (a truly incredible resource). It is no surprise that these texts contain for me such pleasure as to read them is to hear my home and to hear my family. My paternal grandad, Frank Townsley Walker, is so broad in accent that when he joined the army and they asked where he was from he declared 'Wuky'ton'&#38;nbsp;(i.e. Workington). From that moment on his name was forever changed to 'Wuky'. Wuky is a local legend, mountaineer extraordinaire and Cumbrian saint, so much so that the recent refurbishment of our local pub The Galloping Horse in High Harrington has a room dedicated to him ‘Wuky’s Nook’. Speaking to him about his county and walking in its mountains he has endless tales. Most notably of building a cairn on Knock Murton, which I liken to Schwitters building the Merz Barn Wall. When I asked him why he built the cairn he said ‘cuz there wuzn’t yan!’ Apparently he had to do it over a few evenings in the dark and disturbed the women who lived in the farmhouse below the fell, he was eventually invited in for a brew.6 In some respects my interest in dialect are driven by my loss of it. The mixture of living away from home and teaching in academia has slowly re-tuned my voice and re-choreographed my tongue, but the body remembers and my Cumbrian returns when speaking to Wuky.

He wuz Inglish, Ah wad think Lakeland bred because he was a good hand at buildin’ a dry stean waw, but as Ah’ve said befooer he was far travelled…Noo, Walker was a scholar, he knew t’ French an’ t’ Greek languages, an’ could recite plays an’ poyems fra neet ta mwornin’…He knew Kit North when we leeved at Elleray by Windermere an’ he thowt a lot o’ laal Hartley Coleridge, an’ Bob Southey but nut much o ‘auld Wadsworth; Walker yusta caw ‘im Rydal Waddy t’ skin-flint. He was varra frinndly wid De Quincy when he leeved at Dove Cottage…7
Walk(er)ing

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Sidgwick, A. H. 1912 'Walking Essays'

Wuky and me Fadther took me walking from a young age. Whilst on residence at the Armitt I was able to walk in the fells of the Lakes again, and so, in parallel to writing in the Armitt library each day I was walking and exploring 'Wordsworth Country'. I walked a different fell each evening and these walks became an important part of the writing of Condensations, you can see the influence in the arrangement of the text: The view from above, the formation of clouds, watching a curtain of rain move towards us from the shoulder of a hill, ‘dry stean waw’s’ (dry stone walls) cutting patches on the fell side, place-names you discover on the old road back home. These experiences are present within the writing, without them I would not have been able to language the landscapes of my home county.

Condensations brings together texts, languages, sounds and places, it slowly-collages new associations that perform on the page. If nothing else, Condensations introduces Wuky to Schwitters, that is it introduces my Gran-Dada to Dada!


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Curtain of rain approaching Ambleside &#38;amp; RydalNotesWalter Larden ‘Recollections of an old mountaineer’ In Hankinson, A. (1972). The First Tigers: The Early History of Rock Climbing in the English Lake District. J.M Dent &#38;amp; Sons: London. p. 8. ↩Holmes, R. (1989) Early Visions. Flamingo: London. p. 330. ↩Hankinson, A. (1972). The First Tigers: The Early History of Rock Climbing in the English Lake District. J.M Dent &#38;amp; Sons: London. p.129 ↩From Sayre, H.M. ’Performance’ In Lentrichia, F &#38;amp; Mclaughlin, T (eds). (1995). Critical Terms for Literary Study. University of Chicago: London. pp 71-104. ↩Ibid p.96 ↩Apparently this tale made it into the pages of Cumbrian Life magazine but I have been unable to locate it. ↩Jonathan Mason Denwood ‘Lakeland Smugglers’ In Denwood, M. &#38;amp; Thompson, T.W. (1950). A Lafter O’ Farleys Charles Thurman and Sons: Carlisle. ↩</description>
		
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