Hard Poor Dead was presented over three-days as part of Proximity Effect at Plymouth Arts Center. Curated by Mark Greenwood these three durational performances inhabited spaces that had been previously performed in. The gallery space therefore presented a site of previous activity and required me to install my own objects within and around objects of the last performer. This experience directly influenced my interest in install-action (a term coined by the artist Brian Connelly) and facilitated my first performances of extended-duration.